The Body and the Home: Intersections between Phenomenology, Psychoanalysis, and Art in the Construction of Contemporary Experience
DOI:
https://doi.org/10.25247/P1982-999X.2025.v25n1.p%25pKeywords:
phenomenology, psychoanalysis, contemporary art, home, potential spaceAbstract
This article explores the intersection between phenomenology, psychoanalysis, and contemporary art, focusing on the concepts of "home" and "body as home" as essential to understanding human experience. Through the works of Heidegger and Bachelard, the home is discussed as an existential condition that transcends mere physical occupation. Winnicott's concept of potential space highlights its importance in the development of personal identity and the ability to be alone. Marina Abramovic's art, particularly in her performance "The Artist is Present", is examined as a case study to explore how the body can act as a space for intense psychological expression and interaction. The analysis emphasizes the importance of an interdisciplinary approach for a deeper understanding of the themes of home and identity, proposing that the understanding of home should be expanded to include both physical and psychological spaces that shape human experience.
Downloads
References
ABRAMOVIC, Marina. The artist is present. Exposição realizada no Museum of Modern Art, Nova York, 2010. Disponível em: link para o museu ou exposição. Disponível online.
BACHELARD, Gaston. A poética do espaço. Tradução: Antônio de Pádua Danesi. São Paulo: Martins Fontes, 2008.
HEIDEGGER, Martin. Ser e tempo. Tradução: Márcia Sá Cavalcante Schuback. Petrópolis: Vozes, 2012.
WINNICOTT, D. W. O brincar e a realidade. Tradução: José Octávio de Aguiar Abreu e Vanede Nobre. Rio de Janeiro: Imago, 1975.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 René Armand Dentz

This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.