DEMONS ARE WOMEN

THE REPRESENTATION OF EVIL BASED ON GENDER IN LUCIFER

Authors

DOI:

https://doi.org/10.25247/paralellus.2025.v16n39.p465-484

Keywords:

Gender, Mythology, Sexuality, Lucifer

Abstract

The article explores the construction of the character Mazikeen (Maze) in the series Lucifer, addressing the intersection of gender, mythology, and sexuality within a patriarchal and religious framework. Inspired by DC Comics, the series presents Mazikeen as a demon who challenges gender stereotypes by blending traditionally masculine and feminine traits. The analysis considers the impact of cultural and social norms, particularly the portrayal of women in media and their objectification, discussing how Mazikeen, initially a hypersexualized "femme fatale" figure, transitions into a more complex and emotionally vulnerable character. The character also subverts the idea that powerful women must be punished or “desexualized”, as suggested by patriarchal traditions. Through her relationship with Lucifer and, particularly, with Eve, Mazikeen undergoes a transformation involving not only a questioning of her demonic nature but also a search for affection, autonomy, and redemption, breaking free from the standards of submissive femininity. The article further examines how the character’s development interacts with traditional notions of sexuality, violence, and power, highlighting the critique of women’s representation in the media and its impact on social perceptions of gender and identity. From this, Lucifer provides a space for the subversion and reconstruction of feminine images, encouraging a reflection on the role of women in contemporary society.

Downloads

Download data is not yet available.

Author Biographies

  • Thaïs de Matos Barbosa, Universidade Federal da Paraíba, UFPB / Brasil.

    Doutora pelo Programa de Pós-graduação em Ciências das Religiões da UFPB e professora substituta do curso de Letras da UEPB (Campus III). E-mail: thais.m.barbosa@gmail.com.

  • Glezia Alves de Melo, Universidade Federal da Paraíba, UFPB / Brasil.

    Doutoranda e Mestre em Ciências da Religiões pelo PPGCR-UFPB. E-mail: gleziaalvespsi@gmail.com.

References

BENNAMA, Mekia; MERDJI, Naima. La déconstruction des stéréotypes à travers les médias et la littérature. Revue algérienne des lettres, v. 7, n. 3, p. 47-65, 2024.

BÍBLIAON. Bíblia Online. Disponível em: https://www.bibliaon.com/. Acesso em: 04 mar. 2025.

BUTLER, Judith. Problemas de gênero: feminismo e subversão da identidade. Tradução de Renato Aguiar. Rio de Janeiro: Civilização Brasileira, 2024.

ESTÉS, Clarissa Pinkola. Mulheres que correm com os lobos: mitos e histórias do arquétipo da Mulher Selvagem. Tradução de Waldéa Barcellos. Rio de Janeiro: Rocco, 1994.

FIORENZA, Elisabeth Schüssler. Changing horizons: explorations in feminist interpretation. [S. l.]: [s. n.], 2013.

KOCH, Gertrud. Ex-changing the Gaze: Re-visioning Feminist Film Theory. New German Critique, Durham, n. 34, p. 144, Winter 1985.

MAHAFFEY, Vicki. Taming the Wild Shieldmaiden: A Feminist Analysis of Tolkien's “Heroinsim. 1995

MULVEY, Laura. Visual Pleasure and Narrative Cinema. Screen, London, v. 16, n. 3, p. 6-18, autumn 1975.

MURARO, Rose Marie. Breve introdução histórica. KRAEMER, Heinrich; SPRENGE, James. O martelo das feiticeiras. Tradução de Paulo Fróes, v. 30, 2020.

NERONI, Hilary. The Violent Woman: Femininity, Narrative, and Violence in Contemporary American Cinema. Albany: State University of New York Press, 2005.

ÖZKANTAR, Mustafa Özer. Changeless Gender Roles in Changing Digital Media Age: An Analysis of the Netflix Serıes “Lucifer” in terms of Femme Fatale. Akdeniz Kadın Çalışmaları ve Toplumsal Cinsiyet Dergisi, v. 6, n. 2, p. 357-378, 2023.

PIRES, Valtyennya Campos; NASCIMENTO, Robéria Nádia Araújo. Complexidade narrativa: a série “Lúcifer” e as percepções do mito do diabo. Revista Anagrama: Revista Científica Interdisciplinar da Graduação, São Paulo, v. 13, n. 1, p. 1-12, jan./jun. 2019. Disponível em:. Acesso em: 04 mar. 2025.

PRECIADO, Paul B. Manifesto contrassexual. Tradução de Maria do Rosário Pedreira. Rio de Janeiro: Zahar, 2022.

PINEAUX, Jean. Proverbes & diction français. Paris: PUF, 1963. (Coleção Que sais-je?).

YONEKURA, Yasmim Pereira. A valsa com o diabo: Lúcifer e a estrutura patriarcal do cristianismo versus a bruxaria na segunda temporada de “O mundo sombrio de Sabrina”. Todas as Musas, v. 11, nº 02, 2020.

Published

2025-12-23

How to Cite

DE MATOS BARBOSA, Thaïs; ALVES DE MELO, Glezia. DEMONS ARE WOMEN: THE REPRESENTATION OF EVIL BASED ON GENDER IN LUCIFER. PARALELLUS Journal of Religion Studies - UNICAP, Recife, PE, Brasil, v. 16, n. 39, p. 465–484, 2025. DOI: 10.25247/paralellus.2025.v16n39.p465-484. Disponível em: https://www1.unicap.br/ojs/index.php/paralellus/article/view/3289.. Acesso em: 28 dec. 2025.

Similar Articles

1-10 of 40

You may also start an advanced similarity search for this article.