The Aesthetic in Kierkegaard’s Either-Or And His Paradoxical Dynamics
DOI:
https://doi.org/10.25247/P1982-999X.2021.v21n3.p138-156Keywords:
Aesthetic, Desire, Sadness, Either-or, KierkegaardAbstract
On this paper, we seek to analyze how Kierkegaard’s pseudonym, the aesthete A, defines the aesthetic stage with and without reflection. On this way, we will aim to do it by giving also importance to how the paradox presents itself on this way of living and not only on the religious one, with faith and Christ, like it’s commonly understood. We sectioned the paper in four parts: 1) Joy x Happiness; 2) Either-or; 3) Desire; 4) The masculine aesthetic.
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References
KIERKEGAARD, S. Either/Or Part I. New Jersey: Princeton University Press, 1987.
KIERKEGAARD, S. Either-Or Part II. New Jersey: Princeton University Press, 1987.
KIERKEGAARD, S. Sickness unto death. New Jersey: Princeton University Press, 1980.
STEWART, J. Søren Kierkegaard – Subjetividade, ironia e a crise da modernidade. Petrópolis: Editora Vozes, 2015.
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