{"id":56713,"date":"2015-11-10T14:13:31","date_gmt":"2015-11-10T17:13:31","guid":{"rendered":"http:\/\/www.unicap.br\/assecom1\/?p=56713"},"modified":"2015-11-10T14:13:31","modified_gmt":"2015-11-10T17:13:31","slug":"divulgados-filmes-selecionados-para-o-festival-internacional-brasil-stop-motion","status":"publish","type":"post","link":"https:\/\/www1.unicap.br\/assecom1\/divulgados-filmes-selecionados-para-o-festival-internacional-brasil-stop-motion\/","title":{"rendered":"Divulgados filmes selecionados para o Festival Internacional Brasil Stop Motion"},"content":{"rendered":"<p><em><strong>Com informa\u00e7\u00f5es da assessoria do\u00a0Stop Motion<\/strong><\/em><\/p>\n<p><a href=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Crochet-Noir.jpg?ssl=1\"><img data-attachment-id=\"56714\" data-permalink=\"https:\/\/www1.unicap.br\/assecom1\/divulgados-filmes-selecionados-para-o-festival-internacional-brasil-stop-motion\/crochet-noir\/\" data-orig-file=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Crochet-Noir.jpg?fit=1920%2C1280&amp;ssl=1\" data-orig-size=\"1920,1280\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Crochet Noir\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Crochet-Noir.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Crochet-Noir.jpg?fit=640%2C427&amp;ssl=1\" loading=\"lazy\" class=\"alignleft wp-image-56714 size-large\" src=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Crochet-Noir.jpg?resize=640%2C427&#038;ssl=1\" alt=\"Crochet Noir\" srcset=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Crochet-Noir.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Crochet-Noir.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Crochet-Noir.jpg?resize=50%2C33&amp;ssl=1 50w, https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Crochet-Noir.jpg?w=1920&amp;ssl=1 1920w, https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Crochet-Noir.jpg?w=1280&amp;ssl=1 1280w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><\/a>O V Festival Internacional Brasil Stop Motion divulga a lista dos filmes selecionados para a mostra competitiva deste ano, com um total de 51 filmes de 23 pa\u00edses. O festival, que acontece de 24 a 28 de novembro, no Recife, recebeu 275 anima\u00e7\u00f5es de 46 pa\u00edses, o que tornou o processo de escolha dif\u00edcil pela alta qualidade das produ\u00e7\u00f5es enviadas. As exibi\u00e7\u00f5es ser\u00e3o no Cinema S\u00e3o Luiz, a partir das 19h30. No s\u00e1bado, a sess\u00e3o infantil come\u00e7a \u00e0s 17 horas.<\/p>\n<p>Para celebrar sua quinta edi\u00e7\u00e3o, o Brasil Stop Motion tem como homenageado o renomado diretor tcheco Jan Balej. O diretor apresenta, pela primeira vez na Am\u00e9rica do Sul, o seu novo longa <em>Mal\u00e1 z ryb\u00e1rny<\/em> (<em>Little from the fish shop<\/em>).<\/p>\n<p><a href=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Jan-Balej1.jpg?ssl=1\"><img data-attachment-id=\"56715\" data-permalink=\"https:\/\/www1.unicap.br\/assecom1\/divulgados-filmes-selecionados-para-o-festival-internacional-brasil-stop-motion\/jan-balej1\/\" data-orig-file=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Jan-Balej1.jpg?fit=1267%2C1900&amp;ssl=1\" data-orig-size=\"1267,1900\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;Irena Vod\\u00e1kov\\u00e1&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark II&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1361537717&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;70&quot;,&quot;iso&quot;:&quot;5000&quot;,&quot;shutter_speed&quot;:&quot;0.033333333333333&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Jan Balej1\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Jan-Balej1.jpg?fit=200%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Jan-Balej1.jpg?fit=640%2C960&amp;ssl=1\" loading=\"lazy\" class=\"alignleft size-medium wp-image-56715\" src=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Jan-Balej1.jpg?resize=200%2C300&#038;ssl=1\" alt=\"Jan Balej1\" srcset=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Jan-Balej1.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Jan-Balej1.jpg?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Jan-Balej1.jpg?resize=33%2C50&amp;ssl=1 33w, https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/Jan-Balej1.jpg?w=1267&amp;ssl=1 1267w\" sizes=\"(max-width: 200px) 100vw, 200px\" data-recalc-dims=\"1\" \/><\/a>O trabalho \u00e9 uma releitura do sucesso de p\u00fablico A Pequena Sereia, baseado no conto de Hans Christian Andersen, que ganha novos contornos, \u201ccom uma concep\u00e7\u00e3o mais atual e voltada para adultos. N\u00e3o h\u00e1 final feliz para oferecer\u201d, diz Balej, acrescentando que, apesar desse enfoque, n\u00e3o h\u00e1 nada no filme que impe\u00e7a a crian\u00e7ada de assisti-lo tamb\u00e9m.<\/p>\n<p>Al\u00e9m das exibi\u00e7\u00f5es de filmes no Cinema S\u00e3o Luiz, o festival oferece oficinas, master class (Unicap) e mostra com audiodescri\u00e7\u00e3o (Cinema do Museu). Todas as atividades do festival s\u00e3o gratuitas. Detalhes no site<a href=\"http:\/\/www.brasilstopmotion.com.br\/\">www.brasilstopmotion.com.br<\/a><\/p>\n<p><u>FILMES SELECIONADOS<\/u><\/p>\n<p>Confira lista completa de anima\u00e7\u00f5es que ser\u00e3o exibidas durante a Mostra Competitiva do festival.<\/p>\n<p><strong>Azul <\/strong>| Blue<br \/>\nLula G\u00f3mez e Jordi Piulachs | Espanha | 2015<\/p>\n<p><strong>Aguacero<br \/>\n<\/strong>Bernarda Cornejo Pinto | 2015 | Canad\u00e1<\/p>\n<p><strong>Bailaras en el infierno<\/strong> | You\u00b4ll dance in hell<br \/>\nSam | 2015 | Espanha<\/p>\n<p><strong>Bem-Me-Quer | <\/strong>Forget-Me-Not<strong><br \/>\n<\/strong>Levi Magalh\u00e3es | 2015 | Cear\u00e1 &#8211; Brasil<\/p>\n<p><strong>Bloquejats apilats<\/strong> | Block and piled<br \/>\nMarc Riba e Anna Solanas | 2014 | Espanha<\/p>\n<p><strong>Chase Me<\/strong><\/p>\n<p>Gilles-Alexandre Deschaud | 2015 | Fran\u00e7a<\/p>\n<p><strong>Chatarra <\/strong><br \/>\nWalter Tournier | 2015 | Uruguai<\/p>\n<p><strong>Colourblind<\/strong><\/p>\n<p>Samuel Lewis | 2013 | Austr\u00e1lia<\/p>\n<p><strong>Crochet Noir<\/strong><br \/>\nJessica Harris <strong>|<\/strong> 2013 | Austr\u00e1lia<\/p>\n<p><strong>Cry of the fox<\/strong><br \/>\nJason Ronzani e Ning Xu | 2015 | Estados Unidos<\/p>\n<p><strong>Do\u00f1a Ubenza<br \/>\n<\/strong>Juan Manuel Costa | 2014 | Argentina<\/p>\n<p><strong>Epsilon<br \/>\n<\/strong>Noa Verhofstad e Daniela Uribe | 2013 | Holanda<\/p>\n<p><strong>Ernie Biscuit<\/strong><br \/>\nAdam Elliot | 2015 | Austr\u00e1lia<\/p>\n<p><strong>Feast in a Fallen City<\/strong><br \/>\nAron Bothman | 2015 | Estados Unidos<\/p>\n<p><strong>Fur Away<\/strong><br \/>\nBeatriz Dominguez Vinuesa | 2015 | Inglaterra<\/p>\n<p><strong>Grace Under Water<\/strong><br \/>\nAnthony Lawrence | 2014 | Austr\u00e1lia<\/p>\n<p><strong>Imperium Vacui<\/strong><br \/>\nMassimo Ottoni e Linda Kelvink | 2013 | It\u00e1lia<\/p>\n<p><strong>Isand<\/strong> | The Master<br \/>\nRiho Unt | 2015 | Est\u00f4nia<\/p>\n<p><strong>Kili Pola<\/strong> | Like a parrot<br \/>\nA Rohit | 2015 | \u00cdndia<\/p>\n<p><strong>Kr\u00f3lewicz<\/strong> | Prince<br \/>\nMonika Kuczyniecka | 2014 | Pol\u00f4nia<\/p>\n<p><strong>La mujer que saltaba de planeta en planeta | <\/strong>The woman jumping from planet to planet<br \/>\nDariana Alvarado e Joan Pol | 2015 | Espanha<\/p>\n<p><strong>La semilla de lo posible<\/strong> | The posible seed<br \/>\nOlga Dehli | 2015 | Espanha<\/p>\n<p><strong>Lady N<sup>\u00ba <\/sup>4<\/strong><br \/>\nTal Hadar | 2013 | Israel<\/p>\n<p><strong>Les P\u00e9cheresses<\/strong> | The Sinners<br \/>\nGerlando Infuso | 2014 | B\u00e9lgica<\/p>\n<p><strong>Lima<\/strong><br \/>\nAfshin roshanbakht e Vahid jafari | 2015 | Ir\u00e3<\/p>\n<p><strong>Lost Sands<\/strong><br \/>\nAaron Babla | 2014 | Inglaterra<\/p>\n<p><strong>Marrs<br \/>\n<\/strong>Matt Lim | 2014 | Singapura<\/p>\n<p><strong>No added preservatives<\/strong><br \/>\nHeather Duvalle | 2015 | Inglaterra<\/p>\n<p><strong>O quebra-cabe\u00e7a de Tarik <\/strong>| Tarik&#8217;s Puzzle<br \/>\nMaria Leite | 2014 | Belo Horizonte &#8211; Brasil<\/p>\n<p><strong>Once upon a blue moon<\/strong><br \/>\nSteve Boot | 2015 | Inglaterra<\/p>\n<p><strong>Opiuo &#8211; Quack Fat<\/strong><br \/>\nJonathan Chong | 2015 | Austr\u00e1lia<\/p>\n<p><strong>\u00d2run \u00c0iy\u00e9 \u2013 A cria\u00e7\u00e3o do mundo<\/strong> | \u00d2run \u00c0iy\u00e9 &#8211; The creation of the world<br \/>\nJamile Coelho e Cintia Maria | 2015 | Bahia &#8211; Brasil<\/p>\n<p><strong>Quest ce que la stop motion?<\/strong> | What is stop motion?<br \/>\nBastien Dubois e Julie Nobelen | 2013 | Fran\u00e7a<strong>\u00a0<\/strong><\/p>\n<p><strong>Ring Around the Mulberry Bush<\/strong><br \/>\nNicholas D&#8217;Agostino | 2015 | Estados Unidos<\/p>\n<p><strong>Ronko<br \/>\n<\/strong>Carlos Montoya | 2015 | Argentina<\/p>\n<p><strong>Rosso Papavero <\/strong>| Circus of Red Poppy<strong><br \/>\n<\/strong>Martin Smatana | 2014 | Eslov\u00e1quia<\/p>\n<p><strong>Rzeba Dnia <\/strong>| Sculpture of a day<br \/>\nMonika Kuczyniecka | 2015 | Pol\u00f4nia<\/p>\n<p><strong>Rzeki<\/strong> | Rivers<\/p>\n<p>Daria Kopiec | 2014 | Pol\u00f4nia<\/p>\n<p><strong>Saturday<\/strong><br \/>\nJoanne Lin | 2015 | Estados Unidos<\/p>\n<p><strong>Soberano Papeleo<\/strong> | Sovereign Paperwork<br \/>\nLala Severi | 2014 | Uruguai<\/p>\n<p><strong>The Grim Reaper has the blues<\/strong><br \/>\nFlorian Habler e Maximilian Zenk | 2015 | Alemanha<\/p>\n<p><strong>The Heist<\/strong><br \/>\nBec Green | 2015 | Inglaterra<\/p>\n<p><strong>The Old Lady<br \/>\n<\/strong>Eve Ferreti | 2015 | Curitiba &#8211; Brasil<\/p>\n<p><strong>The Prodigy: Wild Frontier<\/strong><br \/>\nMascha Halberstad<strong> | 2015 | Holanda<\/strong><\/p>\n<p><strong>The Santa<\/strong><br \/>\nLevon Petrosyan | 2015 | Arm\u00eania<\/p>\n<figure id=\"attachment_56716\" aria-describedby=\"caption-attachment-56716\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/The-voice-over.jpg?ssl=1\"><img data-attachment-id=\"56716\" data-permalink=\"https:\/\/www1.unicap.br\/assecom1\/divulgados-filmes-selecionados-para-o-festival-internacional-brasil-stop-motion\/the-voice-over\/\" data-orig-file=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/The-voice-over.jpg?fit=1920%2C1080&amp;ssl=1\" data-orig-size=\"1920,1080\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The voice over\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/The-voice-over.jpg?fit=300%2C169&amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/The-voice-over.jpg?fit=640%2C360&amp;ssl=1\" loading=\"lazy\" class=\"wp-image-56716 size-medium\" src=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/The-voice-over.jpg?resize=300%2C169&#038;ssl=1\" alt=\"The voice over\" srcset=\"https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/The-voice-over.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/The-voice-over.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/The-voice-over.jpg?resize=50%2C28&amp;ssl=1 50w, https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/The-voice-over.jpg?w=1920&amp;ssl=1 1920w, https:\/\/i1.wp.com\/www1.unicap.br\/assecom1\/wp-content\/uploads\/2015\/11\/The-voice-over.jpg?w=1280&amp;ssl=1 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><\/a><figcaption id=\"caption-attachment-56716\" class=\"wp-caption-text\">The voice over<\/figcaption><\/figure>\n<p><strong>The voice over<br \/>\n<\/strong>Dadomani Studio | 2015 | It\u00e1lia<\/p>\n<p><strong>Tik Tak<\/strong><\/p>\n<p>\u00dclo Pikkov | 2015 | Est\u00f4nia<\/p>\n<p><strong>Trailer<\/strong><br \/>\nMascha Halberstad | 2014 | Holanda<\/p>\n<p><strong>Viikset<\/strong> | The Moustache<br \/>\nAnni Oja | 2015 | Finl\u00e2ndia<strong><\/p>\n<p>Ways of seeing<\/strong><br \/>\nJerrold Chong | 2015 | Estados Unidos<\/p>\n<p><strong>Zimbo <\/strong><br \/>\nJuan Jose Medina e Rita Basulto | 2015 | M\u00e9xico<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Com informa\u00e7\u00f5es da assessoria do\u00a0Stop Motion O V Festival Internacional Brasil Stop Motion divulga a lista dos filmes selecionados para a mostra competitiva deste ano, com um total de 51 filmes de 23 pa\u00edses. O festival, que acontece de 24 a 28 de novembro, no Recife, recebeu 275 anima\u00e7\u00f5es de 46 pa\u00edses, o que tornou [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":56714,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www1.unicap.br\/assecom1\/wp-json\/wp\/v2\/posts\/56713"}],"collection":[{"href":"https:\/\/www1.unicap.br\/assecom1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www1.unicap.br\/assecom1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www1.unicap.br\/assecom1\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www1.unicap.br\/assecom1\/wp-json\/wp\/v2\/comments?post=56713"}],"version-history":[{"count":1,"href":"https:\/\/www1.unicap.br\/assecom1\/wp-json\/wp\/v2\/posts\/56713\/revisions"}],"predecessor-version":[{"id":56717,"href":"https:\/\/www1.unicap.br\/assecom1\/wp-json\/wp\/v2\/posts\/56713\/revisions\/56717"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www1.unicap.br\/assecom1\/wp-json\/wp\/v2\/media\/56714"}],"wp:attachment":[{"href":"https:\/\/www1.unicap.br\/assecom1\/wp-json\/wp\/v2\/media?parent=56713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www1.unicap.br\/assecom1\/wp-json\/wp\/v2\/categories?post=56713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www1.unicap.br\/assecom1\/wp-json\/wp\/v2\/tags?post=56713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}